{"id":2366,"date":"2020-09-11T12:21:38","date_gmt":"2020-09-11T10:21:38","guid":{"rendered":"http:\/\/www.mapamundimusica.com\/?p=2366"},"modified":"2020-09-11T12:38:32","modified_gmt":"2020-09-11T10:38:32","slug":"mbs-with-the-jewish-music-from-the-place-where-all-was-lost-the-reconstruction-of-the-hungarian-jewish-music-with-di-naye-kapelye","status":"publish","type":"post","link":"https:\/\/www.mapamundimusica.com\/en\/musicbeforeshabbat\/mbs-with-the-jewish-music-from-the-place-where-all-was-lost-the-reconstruction-of-the-hungarian-jewish-music-with-di-naye-kapelye\/","title":{"rendered":"MBS with the Jewish music from the place where all was lost: the reconstruction of the Hungarian Jewish music with Di Naye Kapelye"},"content":{"rendered":"<p><\/p>\n<h4 style=\"text-align: center;\"><strong>11th September 2020 \u2013 Shabbat is almost here<\/strong><\/h4>\n<h3 style=\"text-align: center;\"><strong><span style=\"color: #2f4f4f; font-family: playfair display, georgia, times new roman, serif;\">And the life history of Bob Cohen, founder of Di Naye Kapelye, will inspire us with his\u00a0commitment\u00a0to an almost, almost lost legacy. An outstanding story, the cherry on top\u00a0before the\u00a0Yamim Noraim.<\/span><\/strong><\/h3>\n<div>\n<p>Hello, <img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/29924501-ffe1-4efb-acc3-3f2172681f33.png\" width=\"100\" height=\"97\" align=\"none\" data-file-id=\"1668184\" \/>how are you? I am almost shivering with emotion to share with you the interview with Bob Cohen. Why? I must tell you that my personal background, my family roots, are not connected to music at all and much less with these musics that were very difficult to reach more than 20 years ago. Moreover, I am from the periphery of Europe, a country where there are not Jewish people for more than 5 centuries, apart from the ones that came as inmigrants during the last decades.<\/p>\n<p>In such a context, to discover in 1998 something\u00a0like Di Naye Kapelye and their powerful rendition of\u00a0Dem Rebns Tants would cause the piece to be marked in my memory.<\/p>\n<p>And 22\u00a0years after, the man behind it is answering my questions with immense generosity and explaining us how the magical mix of commitment, effort, talent and ethics made all that work possible. Enjoy.<\/p>\n<\/div>\n<div style=\"text-align: center;\"><strong><span style=\"color: #2f4f4f;\">As usual, you have the video at the bottom.\u00a0<\/span>And if you like this, as usual, please<span style=\"color: #2f4f4f;\">: share it with your friends! Thank you in advance.<\/span><\/strong><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div><\/div>\n<div>\n<table style=\"width: 100%;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" align=\"left\">\n<tbody>\n<tr>\n<td class=\"mcnShareIconContent\" style=\"width: 7.72818%;\" align=\"center\" valign=\"middle\" width=\"24\"><a href=\"http:\/\/us17.forward-to-friend.com\/forward?u=bc493816d894ee14ba9103e7b&amp;id=74db6a3b65&amp;e=[UNIQID]\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/cdn-images.mailchimp.com\/icons\/social-block-v2\/outline-dark-forwardtofriend-48.png\" alt=\"Share this with a friend, right from here\" width=\"101\" height=\"101\" \/><\/a><\/td>\n<td class=\"mcnShareTextContent\" style=\"width: 92.1386%;\" align=\"left\" valign=\"middle\"><a href=\"http:\/\/us17.forward-to-friend.com\/forward?u=bc493816d894ee14ba9103e7b&amp;id=74db6a3b65&amp;e=[UNIQID]\" target=\"\" rel=\"noopener noreferrer\">Share this with a friend, right from here<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3 style=\"text-align: center;\">The search where there was &#8220;nothing&#8221; left<\/h3>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" style=\"color: #747474; font-family: 'Open Sans', sans-serif; font-size: 14px;\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/cf913040-b2cd-42b2-b9b6-8b873d3715eb.jpg\" width=\"200\" height=\"299\" data-file-id=\"1851556\" \/><\/p>\n<p><strong>A few days ago I realiced that Poland and Ukraine were quite present in this MBS. But somehow I was not reaching to so many facts about Hungarian Jewish popular music, a Hungarian cantor\u00a0or anything recorded before the World War II&#8230;\u00a0While trying to find something I found phrases like\u00a0<em>there is nothing recorded, nor written in scores and not even\u00a0described, about the Jewish music from Hungary from before the Holocaust<\/em>. Heartbreaking.<\/strong><\/p>\n<p>But I thought <em>what about Di Naye Kapelye<\/em>? They play Hungarian Jewish music. How did they do that? The answer is this interview with Bob Cohen, founder of the band. This man on the right is he in a profile picture from\u00a0<a href=\"https:\/\/www.facebook.com\/robert.z.cohen\" target=\"_blank\" rel=\"noopener noreferrer\">his Facebook<\/a>.<\/p>\n<p>Bob was born at the USA. He will unveils his life story for us. If you want to know more, don&#8217;t miss a visit to\u00a0<a href=\"https:\/\/horinca.blogspot.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">his blog,\u00a0Dumneazu: Ethnomusicological Eating East of Everywhere.<\/a>\u00a0Along the interview I will include also some digressions, <span style=\"color: #008080;\"><span style=\"color: #07a6a6;\">in this colour<\/span> <\/span>as well as many links <span style=\"color: #008080;\">(in <span style=\"color: #ff6600;\">orange<\/span>)<\/span> in case you want to learn more.<\/p>\n<p>I am moved by Bob&#8217;s generous answer, so deep and detailed, that is a lesson for life.<\/p>\n<hr \/>\n<ul>\n<li><span style=\"color: #2f4f4f;\"><strong>When you decided to travel to Hungary to make research, why did you do that? Where your parents from there?\u00a0<\/strong><\/span><\/li>\n<\/ul>\n<div><span style=\"color: #2f4f4f;\"><a href=\"https:\/\/www.youtube.com\/watch?v=ghDyolxjKHY\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/d531b95c-ec58-4f9e-9ee6-c7b89ce75407.jpg\" width=\"300\" height=\"188\" data-file-id=\"1851560\" \/><\/a><\/span>I moved to Hungary in 1989 to teach English at the ELTE Law University and to study traditional Transylvanian fiddle style with friends in the Hungarian Tanchaz movement such as Csaba \u00d6kr\u00f6s.<\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">&#8211; This man in the picture is Csaba \u00d6kr\u00f6s. He passed away last year (2019 June).\u00a0Click the picture to watch a video with him at his 20 years old, in 1980. Bob has a\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/horinca.blogspot.com\/2019\/06\/okros-csaba-1960-2019.html\" target=\"_blank\" rel=\"noopener noreferrer\">thrilling tribute in his blog<\/a>\u00a0<\/span>&#8211;<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div>\n<p>I wanted to continue to learn Hungarian language and the difficult fiddle style of central Transylvania. My Mother was born in Hungary and left during World War II, but I still have family here and had visited and fallen in love with Hungarian folk music and the &#8220;dance house&#8221; revival of traditional music during family visits in the 1970s. (My father&#8217;s family originates in Bessarabia, today&#8217;s Moldova.)<\/p>\n<p>I was raised in the Bronx at a time when\u00a0<strong>Yiddish language culture was still strong<\/strong>\u00a0among secular working class Jews.\u00a0<strong>My parents and grandparents spoke Yiddish with each other, but they did not want the children to learn it<\/strong>\u00a0(I spoke Hungarian with my mother.)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">&#8211; In the<span style=\"color: #ff6600;\">\u00a0<a style=\"color: #ff6600;\" href=\"http:\/\/www.mapamundimusica.com\/en\/musicbeforeshabbat\/david-krakauers-special-voice-message-for-you\/\" target=\"_blank\" rel=\"noopener noreferrer\">edition with the greetings from David Krakauer<\/a>\u00a0<\/span>it was mentioned that<em>\u00a0&#8220;His grandparents arrived to the USA from Eastern Europe at the end of XIX century and, after the religious prosecution they had suffered, they decided to leave all that behind and to talk only English.&#8221;\u00a0<\/em>Now with Bob we see a similar experience of avoiding the permanence of the cultural roots associated to so many disasters, when moving thousands of kilometres trying to create a new future.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div>\n<p>Like many young New York Jews &#8211; Henry Sapoznik\u00a0(who was with us\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/musicbeforeshabbat\/english-mbs-with-the-black-cantor-thomas-la-rue-through-henry-sapoznik\/\" target=\"_blank\" rel=\"noopener noreferrer\">in a previous edition<\/a>)\u00a0and Andy statman, for example &#8211; as a teenager I played bluegrass and also listened to a lot of the very active immigrant Balkan musicians in the New York area.<a href=\"https:\/\/www.discogs.com\/es\/Zev-Feldman-Andy-Statman-Jewish-Klezmer-Music\/release\/4168863\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/d8d4a3b5-27ab-4c30-8422-d21cfef6de34.jpg\" width=\"300\" height=\"295\" data-file-id=\"1851580\" \/><\/a><\/p>\n<p>Around\u00a01975 some of these musicians in the folk fiddle scene began to pass around cassette tapes of klezmer recordings at the Appalachian fiddle jam sessions held at the old Eagle Tavern on 9th Avenue. A lot of us folk musicians also went to concerts sponsored by the Balkan Arts Center (now the\u00a0<a href=\"https:\/\/ctmd.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Center for Traditional Music and Dance<\/a>) which featured early klezmer revival artists such as\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=u_Bk4-FF5kI\" target=\"_blank\" rel=\"noopener noreferrer\">Zev Feldman and Andy Statman\u00a0<\/a><span style=\"color: #07a6a6;\">(in the picture on the right, that is\u00a0<a style=\"color: #07a6a6;\" href=\"https:\/\/www.discogs.com\/es\/Zev-Feldman-Andy-Statman-Jewish-Klezmer-Music\/release\/4168863\" target=\"_blank\" rel=\"noopener noreferrer\">from Discog<\/a>)<\/span><span style=\"color: #2f4f4f;\">, <\/span>who also presented concerts of newly rediscovered Yiddish perfomers such as\u00a0<a href=\"https:\/\/www.jewish-music.huji.ac.il\/content\/dave-tarras\" target=\"_blank\" rel=\"noopener noreferrer\">Dave Tarras<\/a>.<\/p>\n<p>I then moved to Boston where I became friends with musicians who would play in the\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=9i3BU8yTN9I\" target=\"_blank\" rel=\"noopener noreferrer\">Klezmer Conservatory Band<\/a>\u00a0(<a href=\"https:\/\/www.youtube.com\/watch?v=0QlymniFlZ4\" target=\"_blank\" rel=\"noopener noreferrer\">Frank London<\/a>\u00a0and I go wayyyy back&#8230; we met while jamming in a salsa band) although in Boston my musical life was mostly involved in Greek music, African music, and reggae.<\/p>\n<p>I did not actively pursue Jewish music until I was living in Hungary and traveling to Transylvania to find older Romani fiddlers to learn the Transylvanian village style of violin.\u00a0<strong>They would quickly identify me as Jewish (I had a beard) and begin to play Jewish melodies that they knew.<\/strong>\u00a0I asked what these were, and they told about playing for Jewish weddings before the Holocaust, so I began to travel around Romania and Hungary actively seeking older musicians to ask if they knew any Jewish music. This led me to do the same when I was back visiting the United States &#8211; I went around Brooklyn and the Bronx visiting Orthodox Jewish communities and working with established Klezmer researchers like\u00a0<a href=\"https:\/\/www.arts.gov\/honors\/heritage\/fellows\/michael-alpert\" target=\"_blank\" rel=\"noopener noreferrer\">Michael Alpert<\/a>\u00a0and\u00a0<a href=\"https:\/\/klezkanada.org\/2013-faculty\/zev-feldman-2\/\" target=\"_blank\" rel=\"noopener noreferrer\">Zev Feldman<\/a>.<\/p>\n<\/div>\n<ul>\n<li><span style=\"color: #2f4f4f;\"><strong>Are you settled in Hungary now, or in the USA?<\/strong><\/span><\/li>\n<\/ul>\n<div>I have lived in Budapest since 1989, and I am now a dual Hungarian-US citizen. I travel a lot, but most of my time is in Budapest these days. I live right in the middle of the old Budapest Jewish ghetto &#8211; 7th district &#8211; and there are synagogues, kosher butcher shops, and Jewish bookstores all around this area. Unlike Krakow, where the Kazimerz neighborhood is a highly visable monument to a nearly extinct Jewish past, the 7th district is a living Jewish area with little on the outside to show its Jewish connections.\u00a0<strong>Budapest has at least 50,000 Jews, with 11 functioning synagogues, and three neighbohoods that can be considered &#8220;Jewish neighborhoods&#8221; with kosher markets, mikvehs, and synagogues. I can walk out my door and speak Yiddish any day\u00a0<\/strong>&#8211; although Yiddish is no longer very widespread. I tend to identify with our local Orthodox community &#8211; as opposed to the larger more assimilationist Neolog community &#8211; however I am not particularly religious.<\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<ul>\n<li><span style=\"color: #2f4f4f;\"><strong>How did you find the materials? I have read that there was nothing recorded from the Hungarian Jews of before the World War II. Is it true? If so, how did you manage to create your music?\u00a0<\/strong><\/span><\/li>\n<\/ul>\n<div>\n<p>Nobody had sought out Hungarian Jewish folkore, as Bartok had with Hungarian folk music or with other groups.\u00a0<strong>Jews were considered &#8220;cosmopolitan&#8221; and therefore did not, by the definition of early nationalism, have &#8220;folklore.&#8221;<\/strong>\u00a0Hungarian Jews were granted full citizenship rights in 1867 &#8211; and defined themselves not as an ethnic minority (as in Poland or Romania) but as &#8220;Hungarians of Mosaic faith.&#8221; Hungary was a birthplace of the Zionist movement, and\u00a0<strong>Yiddish was looked down upon by Hebrew language supporters<\/strong>. Among assimilated middle class Hungarian &#8220;Neolog&#8221; Jews, &#8220;folklore&#8221; was seen as superstition. The Yiddish speaking Orthodox community was concentrated in the rural East and North of the countryside, and had little interacttion with the educated Jewish elite of Budapest. And then the Holocaust arrived and wiped out 80% of Hungary&#8217;s Jews.<\/p>\n<p><a href=\"https:\/\/music.biu.ac.il\/en\/frigyesi\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. Judit Frigyesi<\/a>\u00a0had done extensive collecting of Hungarian Jewish religious music before 1990, but official attitudes under communism had kept her research suppressed. So beginning in 1990 I began traveling on a regular basis to rural regions where Jews had been populous: in Romania, especially in Moldavia, Maramures, Crisana, Bucharest. I taped recorded interviews with older Jewish community members, and sought out older professional Romani musicians who remembered repetoire from the past when they had played for Jewish weddings.<\/p>\n<p>I was incredibly lucky to meet the Yiddish writer and theater director\u00a0<strong>Itsik Svarts<\/strong>\u00a0in Iasi, who was born in 1905 and had taken an interest in Yiddish folklore in the 1920s and actually knew many of the key figures in 20th century Yiddish folklore, such as the poet\u00a0<a href=\"https:\/\/yivoencyclopedia.org\/article.aspx\/Manger_Itsik\" target=\"_blank\" rel=\"noopener noreferrer\">Itsik Manger<\/a>.<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #07a6a6; text-align: center; font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 16px;\">If you want to learn more, visit\u00a0<\/span><span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.klezmershack.com\/articles\/1972.moldavia.shvarts.html\" target=\"_blank\" rel=\"noopener noreferrer\">this link in KlezmerShack<\/a><\/span><span style=\"color: #07a6a6; text-align: center; font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 16px;\"><span style=\"color: #ff6600;\">\u00a0<\/span>with a report by Itsik Svarts about Jewish Musicians in Moldavia<\/span><\/p>\n<\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div>\n<p><span style=\"color: #2f4f4f;\">His wife, Cili, was the best Yiddish folk singer I had ever heard. Itsik guided me and mentored me and was my link to the world of Yiddish Southeast Europe before the Holocaust.\u00a0<\/span><\/p>\n<div><\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">Cili Svarts sings\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.youtube.com\/watch?v=uF2mLuiOZWI&amp;feature=youtu.be&amp;t=2709\" target=\"_blank\" rel=\"noopener noreferrer\">a little piece<\/a><\/span>\u00a0in the album by Di Naye Kapelye\u00a0A Mazeldiker Yid (Oriente, 2001)<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<p><span style=\"color: #2f4f4f;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/f01ce499-c8e8-404c-99fc-63d985422f60.jpg\" width=\"350\" height=\"262\" align=\"right\" data-file-id=\"1851544\" \/><\/span>I learned a lot from the musicians of the\u00a0<strong>Manyo Band<\/strong>, also known as the Tecso Band, from Tyaciv, Ukraine. They were\u00a0<a href=\"http:\/\/www.encyclopediaofukraine.com\/display.asp?linkpath=pages%5CH%5CU%5CHutsuls.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Hutsul\u00a0<\/a>(Ruthenian) Romani who still played many Jewish tunes they learned from their father. I ended up playing with them on tour a lot and brought them to festivals in Holland and New York.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">In this picture from<span style=\"color: #ff6600;\">\u00a0<a style=\"color: #ff6600;\" href=\"https:\/\/horinca.blogspot.com\/2018\/06\/yuri-chernavets-1948-2018.html\" target=\"_blank\" rel=\"noopener noreferrer\">Bob&#8217;s blog<\/a><\/span>\u00a0you see the Manyo Band in Greenwich Village, New York, 2010.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<p><span style=\"color: #2f4f4f;\">My Mother was born in\u00a0<a href=\"https:\/\/www.google.com\/maps\/place\/Veszpr%C3%A9m,+Hungr%C3%ADa\/@47.0809267,17.7250012,10.44z\/data=!4m5!3m4!1s0x47699add028c2f91:0x400c4290c1e1210!8m2!3d47.1028087!4d17.9093019\" target=\"_blank\" rel=\"noopener noreferrer\">Veszprem<\/a>, Hungary. Her Mom was actually born in Travnik, Bosnia. She came to the USA in 1948.<\/span><\/p>\n<div><\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">Learn more about his mother, <a style=\"color: #07a6a6;\" href=\"https:\/\/horinca.blogspot.com\/2006\/12\/rgi-kincsek-treasures-from-my-mothers.html\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/span><\/div>\n<p><span style=\"color: #07a6a6;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/7f5acd92-fa58-4a7e-9898-ae4b345ecad2.jpg\" width=\"350\" height=\"251\" align=\"left\" data-file-id=\"1851768\" \/><\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">&lt;&#8211; The picture of the Synagogue of Veszprem is from the report <em style=\"font-family: 'Open Sans', sans-serif; font-size: 14px;\">Antiszemita zavarg\u00e1sok, atrocit\u00e1sok \u00e9s pogromok vid\u00e9ken 1881-1884<\/em><span style=\"font-family: 'Open Sans', sans-serif; font-size: 14px;\">\u00a0available\u00a0<\/span><span style=\"color: #ff6600;\"><a style=\"font-size: 14px; color: #ff6600;\" href=\"http:\/\/tarsadalominformatika.elte.hu\/tananyagok\/dka\/lecke31_lap4.html\" target=\"_blank\" rel=\"noopener noreferrer\">in this page of the E\u00f6tv\u00f6s Lor\u00e1nd Tudom\u00e1nyegyetem<\/a><\/span><span style=\"font-family: 'Open Sans', sans-serif; font-size: 14px;\">\u00a0and acredited from\u00a0<\/span><a style=\"font-size: 14px; color: #07a6a6;\" href=\"https:\/\/mazsihisz.hu\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mazsihisz<\/a><span style=\"font-family: 'Open Sans', sans-serif; font-size: 14px;\">.<\/span><\/span><\/div>\n<div>\n<p style=\"text-align: center;\"><span style=\"color: #07a6a6;\">To learn more about the Jewish people in Veszprem, check\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.jewishvirtuallibrary.org\/veszprem\" target=\"_blank\" rel=\"noopener noreferrer\">this<\/a>.<\/span> In advance, I tell you that around the\u00a090% of them didn&#8217;t survive the war. And about Travnik, learn more\u00a0<a style=\"color: #07a6a6;\" href=\"https:\/\/www.jewishvirtuallibrary.org\/travnik\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. It was even worse.\u00a0For a follow up of the situation about synagogues and Jewish present, check this blog,\u00a0<a style=\"color: #07a6a6;\" href=\"http:\/\/jewish-heritage-travel.blogspot.com\/2008\/09\/more-on-travnik-synagogue_08.html\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Heritage Travel<\/a>.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<\/div>\n<p><span style=\"color: #2f4f4f;\">My Dad&#8217;s family came to the USA in 1924. My Grandfather was born in\u00a0<a href=\"https:\/\/www.google.com\/maps\/place\/Criuleni,+Moldavia\/@47.2135655,29.1485453,15.3z\/data=!4m5!3m4!1s0x40c95c52451ea0ab:0x4fdfc4d4d21c77f2!8m2!3d47.2136114!4d29.1557519\" target=\"_blank\" rel=\"noopener noreferrer\">Criuleni<\/a>, Moldova (Krivlyany in Yiddish.) His name was Onitskansky, which was changed to Cohen (his Jewish\/Hebrew paternal name) because the immigration officials could not spell it. Onitscan (nowadays,\u00a0<a href=\"https:\/\/www.google.com\/maps\/place\/Oni%C8%9Bcani,+Moldavia\/@47.1451908,29.065066,15.56z\/data=!4m5!3m4!1s0x40c966dc2d910855:0x4991d0168369ec07!8m2!3d47.15!4d29.0666669\" target=\"_blank\" rel=\"noopener noreferrer\">Oni\u021bcani<\/a>) is a few miles south of Criuleni, and is &#8220;famous&#8221; as the historical occurrence of the first pogrom in 1726 on accusations of blood libel (killing Christian children for blood for Passover matzoh).\u00a0<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">You can learn more details about the Jewish communities in the region of Iasi and about this specific event,\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.jewishgen.org\/Yizkor\/pinkas_romania\/rom1_00141.html\" target=\"_blank\" rel=\"noopener noreferrer\">in the website of Jewishgen.org<\/a><\/span><\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<p><span style=\"color: #2f4f4f;\">Just this month I received a message from a Jewish historian from Chisinau that they had discovered the grave stones of the Oni\u021bcani Jews and she was amazed to meet descendants of them.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">About this, Bob provided two links, this from\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.maghid.org\/projects\/own-projects\/onitcani\/\" target=\"_blank\" rel=\"noopener noreferrer\">Maghid, Explore the Jewish Moldova<\/a><\/span>, and this\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"http:\/\/horinca.blogspot.com\/2008\/12\/criulenikrivlyany-and-mystery-of.html\" target=\"_blank\" rel=\"noopener noreferrer\">from his blog<\/a><\/span>.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<p>I visited Criuleni in 2008 while participating in Alan Bern&#8217;s &#8220;the Other European Project&#8221; (you can read about it\u00a0<a href=\"http:\/\/horinca.blogspot.com\/2008\/12\/northern-moldova-lautarii-and-klezmorim.html\" target=\"_blank\" rel=\"noopener noreferrer\">on my blog<\/a>&#8230;). My Grandmother came from the village of\u00a0<a href=\"https:\/\/www.google.com\/maps\/place\/Telenesti,+Moldavia\/@47.5020585,28.3494202,15.86z\/data=!4m5!3m4!1s0x40cb9a4a504680ab:0x93dc6c50e8728634!8m2!3d47.4983962!4d28.3676019\" target=\"_blank\" rel=\"noopener noreferrer\">Telenesti<\/a>\u00a0in Moldova.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">You can learn a little bit about the Jews in Telenesti,\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/dbs.bh.org.il\/place\/telenesti\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>\u00a0<\/span>and\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"http:\/\/horinca.blogspot.com\/2008\/12\/my-grandmothers-shtetl-teleneti-and.html\" target=\"_blank\" rel=\"noopener noreferrer\">on Bob&#8217;s blog<\/a><\/span>.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">This is a picture of Di Naye Kapelye, from\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.facebook.com\/dinayekapelye\/\" target=\"_blank\" rel=\"noopener noreferrer\">their Facebook page<\/a><\/span>.<\/span><\/div>\n<p><span style=\"color: #2f4f4f;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/ee956487-ffb6-4cc5-ad1b-131bb8a0c507.jpg\" width=\"784\" height=\"441\" align=\"center\" data-file-id=\"1851856\" \/><\/span><\/p>\n<p>Around 1993 I formed Di Naye Kapelye in order to play a &#8220;klezmer&#8221; music based on the descriptions I had gathered from the information on how Jewish music was performed in small towns and villages before the influence of 20th century technology, mass emmigration, and the holocaust. It was a reconstruction, but Itsik Svarts would coach me on how the band sounded &#8211; I would tape rehearsals in Budapest and play them when I visited Itsik in Iasi and he would offer his opinions. In this way, for example, we reconstructed the use of the cobza (Romanian lute) as he heard Romani bands using it for Jewish Purim celebrations in his Moldavian village before 1920.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">Check<span style=\"color: #ff6600;\">\u00a0<a style=\"color: #ff6600;\" href=\"https:\/\/horinca.blogspot.com\/2007\/08\/cobzas-last-days.html\" target=\"_blank\" rel=\"noopener noreferrer\">this post<\/a><\/span>\u00a0by Bob about the cobza.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<p><span style=\"color: #2f4f4f;\">In Di Naye Kapelye our clarinetist and singer was Yankl Falk, who is an orthodox cantor in Portland Oregon and now an archivist of Jewish Music. He has a expert command of Jewish liturgical traditions and of living Hasidic repertoire, and also traveling with him always put us in touch with local Jewish communities (we have to keep our clarinetist supplied with kosher food). We also played several years with Jake Shulman-Ment, a young New York Klezmer violinist who is probably the best in the world without exaggeration. Jake spent a year living in Botosani in northeast Romania researching Jewish influences in Romanian folk music.\u00a0<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">Listen to Jake Shulman-Ment in <span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.youtube.com\/watch?v=dczUv47JUQA\" target=\"_blank\" rel=\"noopener noreferrer\">this promotional video<\/a><\/span>\u00a0about his work.<\/span><\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">And you will also enjoy\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.youtube.com\/watch?v=lH4drr2luX0\" target=\"_blank\" rel=\"noopener noreferrer\">this video with the Roma performers from Maramures, Nicolae and Victor Covaci\u00a0<\/a><\/span>from Jake&#8217;s Youtube channel.<\/span><\/div>\n<p><span style=\"color: #2f4f4f;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/d0039bf9-0c5d-4765-9bb7-f24eb989ff1f.png\" width=\"703\" height=\"473\" align=\"center\" data-file-id=\"1852016\" \/><\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">This collection of pictures are frames from the videos with the musicians from Covaci family in the channels of Youtube of\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.youtube.com\/channel\/UCZPkS9_BjgN-ELZ73UcC10A\" target=\"_blank\" rel=\"noopener noreferrer\">Fiddle Music of Transylvania<\/a>\u00a0<\/span>and of\u00a0<span style=\"color: #ff6600;\"><a style=\"color: #ff6600;\" href=\"https:\/\/www.youtube.com\/channel\/UCy14KPa-tN5NlVGnQLkKCqg\" target=\"_blank\" rel=\"noopener noreferrer\">Bob Cohen (Dumneazu)<\/a><\/span>.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<p>I collected most of the material we use from older Romani musicians in Hungary and Romania, several of whom had played in bands with Jewish musicians until the 1960s such as\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=X0gzC1rWjsc\" target=\"_blank\" rel=\"noopener noreferrer\">Andr\u00e1s Horv\u00e1th<\/a>\u00a0from the Szatmar region of Hungary, Ferenc &#8220;Arus&#8221; Berki from Cluj in Transylvania (who used to actively ask among other Roma musicians for Jewish songs for me to record),\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=pvyVJ6Ywoos\" target=\"_blank\" rel=\"noopener noreferrer\">Arpad Toni<\/a>\u00a0from Voivodeni in Mures County, and many musicians from the\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=Wq5SkmHBl3g\" target=\"_blank\" rel=\"noopener noreferrer\">Covaci family<\/a>\u00a0of musicians in Maramures (the brothers Ioannei,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=HaUkA8JafRc\" target=\"_blank\" rel=\"noopener noreferrer\">Nicolae<\/a>, and Rajna Covaci as well as Gheorghe Covaci from Sacel and\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=1Sy0Vu0AG94\" target=\"_blank\" rel=\"noopener noreferrer\">Ion &#8220;Paganini&#8221; Covaci<\/a>\u00a0from Saliste, and\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=JHd9lhlGB1w\" target=\"_blank\" rel=\"noopener noreferrer\">Gheorghe Covaci &#8220;Cioata&#8221;<\/a>\u00a0from Vadu Izei) as well as musicians in the Republic of Moldova (<a href=\"https:\/\/www.youtube.com\/watch?v=zXGpS-0jD5g\" target=\"_blank\" rel=\"noopener noreferrer\">Fanfara din Edinets<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=qOWVuNnMUmY\" target=\"_blank\" rel=\"noopener noreferrer\">Slava Farber<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=7qBm1jon5_E\" target=\"_blank\" rel=\"noopener noreferrer\">Arkady Gendler<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=kfV9dIJWyRU\" target=\"_blank\" rel=\"noopener noreferrer\">German Goldenshtyen<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=KExJNKBosyw\" target=\"_blank\" rel=\"noopener noreferrer\">Adam Stinga<\/a>, and\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=hK2AizxyTNI\" target=\"_blank\" rel=\"noopener noreferrer\">Marin Bunea<\/a>). Many of these older musicians have now passed on.<\/p>\n<p>Some people (in the klezmer world) have called us &#8220;the right wing of klezmer&#8221; and say we are trying to play a museum piece from 150 years ago. My answer has always been simply\u00a0<strong>&#8220;Well, we learned this from a living musician three months ago.&#8221;<\/strong>\u00a0At performances I encourage the audience to get up and dance, saying to them that this is not a music museum.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<div style=\"text-align: center;\"><span style=\"color: #07a6a6;\">I need to comment a reflection about this last paragraph by Bob. I have seen this kind of argumentations in many other occasions and cultural contexts, in different countries:\u00a0a claim suppossedly againts the &#8220;purists&#8221;. Most of the times, the ones who claim are the ones who didn&#8217;t want to make the extreme effort to learn and interiorize from the sources and\u00a0the ones that pretend to &#8220;renovate&#8221; or to &#8220;reshape for its use nowadays&#8221; without the real knowledge of that tradition they are supossedly renovating. The deep knowledge of the tradition drives to a natural updating. But you can&#8217;t renovate something that you don&#8217;t master.<\/span><\/div>\n<div><span style=\"color: #ffffff;\">.<\/span><\/div>\n<ul>\n<li><span style=\"color: #2f4f4f;\"><strong>What about the current activity of life music (I mean, before the pandemic)?\u00a0<\/strong><\/span><\/li>\n<\/ul>\n<div>Although the full band of Di Naye Kapelye rarely performs in Hungary &#8211; with two members living in the USA we usually get together only for larger festivals and tours &#8211; the five Hungarian members of Di Naye Kapelye still play for Jewish community events (but not for Hasidic weddings after the orthodox ban on orchestras in 2006. We used to play a lot of those.) In Budapest I play with accordinist\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=XsEzqdNj8rs\" target=\"_blank\" rel=\"noopener noreferrer\">Adam Moser<\/a>\u00a0for monthly Yiddish dance parties sponsored by a Jewish feminist collective called &#8220;Esztertaska&#8221; which are taught by Sue Foy, an American dance ethnomusicologist who studied Yiddish dance in New York with folksinger\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=1OJnB5Kqijo\" target=\"_blank\" rel=\"noopener noreferrer\">Bronya Sakina<\/a>.<span style=\"color: #2f4f4f;\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/mcusercontent.com\/bc493816d894ee14ba9103e7b\/images\/fc3c54a3-9a76-49c7-b019-0ec32ce923c0.jpg\" width=\"300\" height=\"274\" align=\"right\" data-file-id=\"1851956\" \/><\/span><\/div>\n<div>\n<p><span style=\"color: #2f4f4f;\">I played in a small formation called &#8220;Shrayim&#8221; which was primarily for the Orthodox Jewish community some years ago &#8211; strictly &#8220;kosher&#8221; music (no secular love songs, for example, mostly Hasidic music and usually in Orthodox community spaces.)<\/span>I also play with\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=PmSKBFM-WWk\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Kahn<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=flPrBcl3q_k\" target=\"_blank\" rel=\"noopener noreferrer\">Michael Alpert<\/a>,\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=_asYu0f38ks\" target=\"_blank\" rel=\"noopener noreferrer\">Psoy Korolenko<\/a>\u00a0and Jake Shulman-Ment in &#8220;<a href=\"https:\/\/www.youtube.com\/watch?v=MschzQkASmk\" target=\"_blank\" rel=\"noopener noreferrer\">The Brothers Nazaroff<\/a>&#8221; &#8211; a tribute to Yiddish folk singer\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=KD_GrsykEL0\" target=\"_blank\" rel=\"noopener noreferrer\">Prince Nathan Nazaroff\u00a0<\/a><span style=\"color: #008080;\">(here on the right it is the cover of their album)<\/span><span style=\"color: #2f4f4f;\"><span style=\"color: #008080;\">.<\/span> A documentary made about us called &#8220;Soul Exodus&#8221; is presently on European Netflix.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<ul>\n<li><span style=\"color: #2f4f4f;\"><strong>About the song Dem Rebns Tants, where did you find this or how did you develop it? I like it a lot!!\u00a0<\/strong><\/span><\/li>\n<\/ul>\n<div><span style=\"color: #2f4f4f;\">Its from a gramophone recording of the Art Shryer Orchestra reissued on the CD &#8220;<a href=\"https:\/\/www.discogs.com\/es\/Various-Klezmer-Pioneers-European-And-American-Recordings-1905-1952\/release\/7123007\" target=\"_blank\" rel=\"noopener noreferrer\">Klezmer Pioneers<\/a>&#8220;.\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=I4SliutJ7vQ\" target=\"_blank\" rel=\"noopener noreferrer\">Here<\/a>\u00a0is the original.<\/span><\/div>\n<hr \/>\n<\/div>\n<table style=\"width: 100%; height: 80px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" align=\"left\">\n<tbody>\n<tr style=\"height: 80px;\">\n<td class=\"mcnShareIconContent\" style=\"width: 6.92872%; height: 80px;\" align=\"center\" valign=\"middle\" width=\"24\"><a href=\"http:\/\/us17.forward-to-friend.com\/forward?u=bc493816d894ee14ba9103e7b&amp;id=74db6a3b65&amp;e=[UNIQID]\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/cdn-images.mailchimp.com\/icons\/social-block-v2\/outline-dark-forwardtofriend-48.png\" alt=\"Share this with a friend, right from here\" width=\"75\" height=\"76\" \/><\/a><\/td>\n<td class=\"mcnShareTextContent\" style=\"width: 92.938%; height: 80px;\" align=\"left\" valign=\"middle\"><a href=\"http:\/\/us17.forward-to-friend.com\/forward?u=bc493816d894ee14ba9103e7b&amp;id=74db6a3b65&amp;e=[UNIQID]\" target=\"\" rel=\"noopener noreferrer\">Share this with a friend, right from here<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<h3 style=\"text-align: center;\"><span style=\"color: #2f4f4f; font-family: playfair display, georgia, times new roman, serif;\"><strong>The dance of the rebbe<\/strong><\/span><\/h3>\n<div><span style=\"color: #2f4f4f;\">I have chosen the first piece I listened from Di Naye Kapelye, 22 years ago. It is also a special song because we put it some lyrics over it and sang in a jingle of the radio show\u00a0<a href=\"http:\/\/www.mundofonias.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mundofon\u00edas<\/a>, that I do with Juan Antonio V\u00e1zquez.\u00a0<\/span><\/div>\n<div style=\"text-align: center;\"><strong>Click the picture to listen to the recording:<\/strong><\/div>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/KfnXQRu0-_Q\" width=\"580\" height=\"370\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<h6 style=\"text-align: center;\"><strong>I hope you\u2019ll like it and, if so, feel free to share it and invite your friends to join us.<br \/>\nIt is as symple as sending<a class=\"mcnButton \" title=\".... this button to sign up\" href=\"https:\/\/mailchi.mp\/22b3401a1a17\/mbs\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0\u2026 this link to sign up<\/a><\/strong><\/h6>\n<hr \/>\n<h3 style=\"text-align: center;\"><strong>Shabbat Shalom.<\/strong><\/h3>\n<p style=\"text-align: center;\"><strong>Araceli Tzigane |\u00a0<\/strong><a href=\"http:\/\/www.mapamundimusica.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mapamundi M\u00fasica<\/a><\/p>\n<hr \/>\n<h5 style=\"text-align: center;\"><strong>And we share with you one hour of music for joy\u00a0<a href=\"https:\/\/soundcloud.com\/user-287446268\/sets\/jewish-music-fro-xxi-century\" target=\"_blank\" rel=\"noopener noreferrer\">in this playlist<\/a>.<br \/>\nTo know more about our artists,\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/jewishmusic\/\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/strong><\/h5>\n<hr \/>\n<h1 style=\"text-align: center;\"><strong>May you always find the light in your path.<\/strong><\/h1>\n<hr \/>\n<h5 style=\"text-align: center;\">These is our artistic offer for live show:<br \/>\n<a href=\"http:\/\/www.mapamundimusica.com\/en\/jewishmusic\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gulaza\u00a0<\/a>\u2013\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/jewishmusic\/\" target=\"_blank\" rel=\"noopener noreferrer\">Janusz Prusinowski Kompania Jewish Memory<\/a><\/h5>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>11th September 2020 \u2013 Shabbat is almost here And the life history of Bob Cohen, founder of Di Naye Kapelye, will inspire us with his\u00a0commitment\u00a0to an almost, almost lost legacy. An outstanding story, the cherry on top\u00a0before the\u00a0Yamim Noraim. Hello, how are you? I am almost shivering with emotion to share with you the interview [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[281,279,280,283,278,282,54],"class_list":["post-2366","post","type-post","status-publish","format-standard","hentry","category-musicbeforeshabbat","tag-bob-cohen","tag-di-naye-kapelye","tag-fiddle-music-from-romania","tag-gypsi-music-from-romania","tag-hungarian-jewish-music","tag-reconstruction-of-traditional-jewish-music","tag-what-is-jewish-music"],"_links":{"self":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts\/2366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/comments?post=2366"}],"version-history":[{"count":13,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts\/2366\/revisions"}],"predecessor-version":[{"id":2379,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts\/2366\/revisions\/2379"}],"wp:attachment":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/media?parent=2366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/categories?post=2366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/tags?post=2366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}