{"id":1604,"date":"2020-02-11T14:50:13","date_gmt":"2020-02-11T13:50:13","guid":{"rendered":"http:\/\/www.mapamundimusica.com\/?p=1604"},"modified":"2020-04-23T13:55:28","modified_gmt":"2020-04-23T12:55:28","slug":"newsletterfebruary20","status":"publish","type":"post","link":"https:\/\/www.mapamundimusica.com\/en\/newsletter\/newsletterfebruary20\/","title":{"rendered":"Magazine #20 February 2020"},"content":{"rendered":"<p><a style=\"color: #ee591f; transition: all 300ms ease-out 0s; outline: none; font-size: 14px;\" href=\"http:\/\/www.mapamundimusica.com\/en\/\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/gallery.mailchimp.com\/993c677d53044839b1b39b2dc\/images\/0d0d080f-4a81-430f-ae10-b1f66b1c5b5d.jpeg\" width=\"165\" height=\"179\" data-file-id=\"3475285\" \/><\/strong><\/a><\/p>\n<h1>Mini-interview with Georgia D\u00f6tzer from Rialto WM Festival, Birgit Ellinghaus, open calls and +<\/h1>\n<div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/gallery.mailchimp.com\/993c677d53044839b1b39b2dc\/images\/ed76ef47-c18a-4b38-a584-e2b4eaaf9704.png\" width=\"109\" height=\"109\" align=\"left\" data-file-id=\"4480685\" \/><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">What to do now better than listening great music while reading this magazine, made by us and for us, the community of world \/ folk \/ traditional music all over the world?\u00a0<\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">I<\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00a0am Araceli\u00a0Tzigane. Accompany your reading with our playlist! You know:\u00a0just click the logo &#8211;&gt;.<\/span><\/p>\n<p>So, welcome to\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mapamundi M\u00fasica<\/a>&#8216;s magazine, issue #20!\u00a0I will not enlarge any further this intro, as the content below is gold.<\/p>\n<p>Just remember:\u00a0any suggestion of contents for the next editions? Let us know.\u00a0<strong>And if you like this, share it and tell it to your friends!\u00a0<\/strong><\/p>\n<p>Thanks for your attention.<\/p>\n<\/div>\n<div>\n<p style=\"text-align: center;\"><strong>Araceli Tzigane &#8211; info@mundimapa.com &#8211; +34 676\u00a030 28 82\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Feel free to resend this newsletter to your friends\u00a0if you like it. Subscription\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/contacto\/\" target=\"_blank\" rel=\"noopener noreferrer\">is available here<\/a>.<\/strong><\/p>\n<\/div>\n<hr \/>\n<p><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>Summary<\/strong>:<\/span><span style=\"color: #ffffff; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00a0<\/span><\/p>\n<div><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><span style=\"color: #ffffff;\"><span style=\"color: #000000;\">\u00b7<\/span>\u00a0<\/span>Job announcement<span style=\"color: #ffffff;\">\u00a0<span style=\"color: #ff6600;\">from Global Fest<\/span><br \/>\n<span style=\"color: #000000;\">\u00b7\u00a0<\/span><\/span>Open calls<span style=\"color: #ff6600;\">\u00a0not to miss<\/span><\/span><br \/>\n<span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00b7 Mini interview\u00a0with festival manager:\u00a0<\/span><span style=\"font-family: 'open sans', 'helvetica neue', helvetica, arial, sans-serif; color: #ff6600;\">Georgia D\u00f6tzer<\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00a0from\u00a0<\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">Rialto World Music\u00a0Festival\u00a0<\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">(Cyprus)<\/span><br \/>\n<span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><span style=\"color: #000000;\">\u00b7 In deep with\u00a0<\/span><span style=\"color: #ff6600;\">Birgit Ellinghaus<\/span><\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00a0from alba KULTUR<br \/>\n\u00b7 Don&#8217;t\u00a0miss our Spanish acts recommended by AECID<\/span><br \/>\n<span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00b7 One of our latests achievements, I have to share this\u00a0?<\/span><br \/>\n<span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\">\u00b7 Find me at&#8230;<\/span><\/div>\n<div><\/div>\n<div style=\"text-align: center;\"><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>This newsletter is open to sponsorship. Feel free to ask for details.<\/strong><\/span><\/div>\n<div>\n<hr \/>\n<\/div>\n<h3><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>GLOBAL FEST SEARCHES FOR EXECUTIVE DIRECTOR<\/strong><\/span><img decoding=\"async\" class=\"mcnImage alignright\" style=\"color: #333333; font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 16px;\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/253212a4-1b75-4a10-b735-1c0e4beee9b2.png\" alt=\"\" width=\"176\" \/><\/h3>\n<p style=\"letter-spacing: 0.5px;\">Global Fest is a music platform with many activities. One of them is the festival they hold in New York in January.<\/p>\n<p style=\"letter-spacing: 0.5px;\">There want to fill a job vacancy that is a new position for their organization. A full-time position to start in April 2020. Its responsibilities include fundraising, development and expansion of the board of directors, developing and renewing relationships with prospective funders and sponsors, etc. To learn more and to apply,\u00a0<a href=\"https:\/\/form.jotform.com\/200274825999165\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>.<\/p>\n<hr \/>\n<h3><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>OPEN CALLS<\/strong><\/span><\/h3>\n<p><a class=\"\" title=\"\" href=\"http:\/\/www.transglobalwmc.com\/festival-awards-definitions-and-criteria\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"mcnImage alignleft\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/34bd3408-241e-4e57-b276-0f7c431f80d1.jpg\" alt=\"\" width=\"176\" \/><\/a><\/p>\n<p><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><a href=\"http:\/\/www.transglobalwmc.com\/festival-awards-definitions-and-criteria\/\" target=\"_blank\" rel=\"noopener noreferrer\">Transglobal World Music Chart Festival Awards<\/a>. This is open all the year but note that some time in advance of your festival is needed to find the evaluator. This award&#8217;s proceduce needs the attendance of a person in your event: one of the panelists or an independent journalist or person of culture. Check the link and send any questions, also in answer to this email as I am the coordinator of this award.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"mcnImage alignleft\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/1b619028-bffc-4302-96e4-b0c4d99649da.jpeg\" alt=\"\" width=\"176\" \/> <span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><a href=\"https:\/\/mundialmontreal.com\/artistes\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mundial Montreal<\/a>\u00a0(Canada). Open until 1st April. Its 10th edition will take place from 17th to 20th of November. The official selection includes around 30 artists to play in showcases of 25 minutes. Delegates from all the continents use to attend.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"mcnImage alignleft\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/15594278-abc8-48b9-a34e-c147362f27af.jpg\" alt=\"\" width=\"176\" \/> <a href=\"http:\/\/www.mmvv.cat\/es\/propuestas&amp;posatext=1\" target=\"_blank\" rel=\"noopener noreferrer\">Mercat de M\u00fasica Viva de Vic<\/a>. Open until 31st March. Its edition 32 will take place from 16th to 19th of September in the Catalan city of Vic. It includes around 60 showcases and a bunch of concerts are selected for the &#8220;festival&#8221; format (the rest are fair showcases for professionals).<\/p>\n<p>&nbsp;<\/p>\n<p><a class=\"\" title=\"\" href=\"https:\/\/www.womex.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" class=\"mcnImage alignleft\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/12385441-4825-425b-9342-9c047ed857ae.png\" alt=\"\" width=\"176\" \/><\/a><a href=\"https:\/\/womex-apply.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">WOMEX<\/a><a class=\"\" title=\"\" href=\"https:\/\/www.womex.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0(this year, in Budapest). Open until 13th March. This is the referential fair for world music, with around 3 thousand delegates every year. I think Womex is really known by the 99,99 %.<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>**** Do you have a world music\u00a0festival and you want to be included in our mini interviews?\u00a0<\/strong><\/span><span style=\"color: #ffffff; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong><a href=\"http:\/\/www.mapamundimusica.com\/en\/contacto\/\" target=\"_blank\" rel=\"noopener noreferrer\">Contact us.<\/a>\u00a0<\/strong><\/span><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>****<\/strong><\/span><\/p>\n<div>\n<h2 style=\"text-align: center;\"><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>\u00a0CURRENT AND FUTURE CHALLENGES FOR FESTIVALS\u00a0<\/strong><\/span><\/h2>\n<hr \/>\n<h3 style=\"text-align: center;\"><strong>MINI INTERVIEW WITH\u00a0GEORGIA D\u00d6TZER\u00a0FROM\u00a0<a href=\"http:\/\/www.cyprusrialtoworldmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">RIALTO WORLD MUSIC FESTIVAL<\/a><\/strong><\/h3>\n<\/div>\n<div>\n<h5><span style=\"font-size: 14pt;\"><strong><strong>Limassol, at the South of the island of Cyprus,\u00a0and July&#8230; The idea that comes to the mind is\u00a0hot Sun, beach, roasted halloumi cheese with frozen white wine&#8230; and, for the past 14 years, also world music! Yes, because Rialto World Music Festival in been held in Limassol since 2006.<\/strong><\/strong><\/span><\/h5>\n<p><span style=\"font-size: 12pt;\">It started as a\u00a0series of events dedicated to diversity and tolerance and now, in 2020, it will become 15! I want to congratulate Ms. Georgia D\u00f6tzer, the &#8220;mastermind behind the success of Rialto World Music Festival&#8221; in words of her compatriot Antonis Antoniou, from Monsieur Doumani, and the team. Many more to come, Ms. D\u00f6tzer! In the meantime, let me share some of your insights.<\/span><\/p>\n<\/div>\n<div><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/394841c5-4018-41bb-9c63-1808d9f05942.jpg\" width=\"200\" height=\"200\" align=\"right\" data-file-id=\"4559669\" \/>MM &#8211; What do you search in an artist when you create the programme?\u00a0<\/strong><br \/>\n<strong>GD:\u00a0<\/strong>The quality, the different sound, the uniqueness and the attractive stage performance.<\/div>\n<p>&nbsp;<\/p>\n<div><strong>MM &#8211; Which are the global objectives of your festival?<\/strong><br \/>\n<strong>GD:<\/strong>\u00a0To highlight the diverse and rich universe of the world music. To promote the common elements\u00a0and the differences in music, as a universal language connecting people. In this framework also to promote Cyprus and our festival as a bridge between them.<\/div>\n<p>&nbsp;<\/p>\n<div><strong>M<\/strong><strong>M &#8211; What are the most complicated or difficult issues to deal with in your festival?\u00a0<\/strong><br \/>\n<strong>GD:\u00a0<\/strong>The promotion and the right communication of the ensembles and their music,\u00a0especially when they are not quite known.<\/div>\n<p>&nbsp;<\/p>\n<div><strong>MM &#8211; Which are currently the main challenges for this kind of cultural proposals like yours?<\/strong><br \/>\n<strong>GD:\u00a0<\/strong>Of course the high flight cost of the groups from abroad. Also to attract young audiences and to broaden the existing one. To make the festival more attractive for the tourists and visitors of Cyprus.<\/div>\n<p>&nbsp;<\/p>\n<div><strong>MM &#8211; In one sentence, summarise the reason\/s to go to your festival.\u00a0<\/strong><\/div>\n<div><strong>GD:\u00a0<\/strong>\u00a0To listen, meet and get to know groups and musicians who share a rich cultural past and also develop a contemporary musical present, with common origins and influences, organizing a series of events, mostly music, which draw their inspiration from the tradition of each country around the Mediterranean.<\/div>\n<div><\/div>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/25655a8c-7fd5-4fbf-b51b-1a08cb4cffe6.jpg\" width=\"620\" height=\"229\" align=\"center\" data-file-id=\"4559673\" \/><\/div>\n<div><\/div>\n<div><strong>Pictures&#8217; credits<\/strong>:<\/div>\n<ul>\n<li>One of Georgia&#8217;s Facebook profile pictures<\/li>\n<li>Cover of the festival&#8217;s Facebook page<\/li>\n<\/ul>\n<div><strong>If you haven\u00b4t read them, you can find the previous interviews clicking on the names:\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/3-september-2018\/\" target=\"_blank\" rel=\"noopener noreferrer\">Michal Schmidt<\/a>\u00a0(Folk Holidays, CZ) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/4-october-2018\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jun-Lin Yeoh<\/a>\u00a0(Rainforest WMF, MY) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/4-october-2018\/\" target=\"_blank\" rel=\"noopener noreferrer\">Luis Lles<\/a>\u00a0(Pirineos Sur, ES) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/5-november-2018\/\" target=\"_blank\" rel=\"noopener noreferrer\">Amitava Bhattacharya<\/a>\u00a0(Sur Jahan, IN) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/6-december-2018\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nicolas Ribalet<\/a>\u00a0(Sukiyaki Meets the World, JP) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/7-january-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sergio Zaera<\/a>\u00a0(Poborina Folk, ES) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/8-february-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Per Idar Alm\u00e5s<\/a>\u00a0(F\u00f8rdefestivalen, NO) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/9-march-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bo\u017cena Szota<\/a>\u00a0(EthnoPort, PL) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/10-april-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ken Day<\/a>\u00a0(Urkult, SE) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/boletin-11-mayo-2019-solo-en-ingles\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mads Olesen<\/a>\u00a0(5 Continents, CH) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/12-june-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Karolina Waszczuk &amp; Bartek Drozd<\/a>\u00a0(Jagiellonian Fair, PL) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/13-july-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Alkis Zopoglou<\/a>\u00a0(Mediterranean Music Festival, GR\/CH) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/14-august-2019\/\" target=\"_blank\" rel=\"noopener noreferrer\">Tom Frouge<\/a>\u00a0(Globalquerque, US) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/newsletterseptember19\/\" target=\"_blank\" rel=\"noopener noreferrer\">Braulio P\u00e9rez<\/a>\u00a0(M\u00fasica en el Parque, ES) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/newsletteroctober19\/\" target=\"_blank\" rel=\"noopener noreferrer\">Bojan Djordjevic<\/a>\u00a0(Todo Mundo, RS) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/newsletternovember19\/\" target=\"_blank\" rel=\"noopener noreferrer\">Park Jechun<\/a>\u00a0(Jeonju Int&#8217;s Sori Festival) &#8211;\u00a0\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/newsletterdecember19\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jarmila Vl\u010dkov\u00e1<\/a>\u00a0(World Music Festival Bratislava &#8211; SK) &#8211;\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/newsletter\/newsletterjanuary20\/\" target=\"_blank\" rel=\"noopener noreferrer\">Leo Li\u010dof<\/a>\u00a0(Okarina &#8211; SI)<\/strong><\/div>\n<div>\n<hr \/>\n<\/div>\n<div style=\"text-align: center;\"><a class=\"mcnButton \" title=\"Do you like our newsletter? Tell us! Resend it to your friends! To sign up, click HERE.\" href=\"http:\/\/www.mapamundimusica.com\/en\/contacto\/\" target=\"_blank\" rel=\"noopener noreferrer\">Do you like our newsletter? Tell us! Resend it to your friends! To sign up, click HERE.\u00a0<\/a><\/div>\n<div>\n<hr \/>\n<\/div>\n<div>\n<h2><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>IN DEEP WITH&#8230;\u00a0<\/strong><\/span><\/h2>\n<div>\n<h3><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>Birgit Ellinghaus from alba KULTUR<\/strong><\/span><\/h3>\n<p><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong><a href=\"http:\/\/www.albakultur.de\/\"><img decoding=\"async\" class=\"alignright\" src=\"https:\/\/gallery.mailchimp.com\/993c677d53044839b1b39b2dc\/images\/d3b148f7-f823-4184-a020-a18631ed7c3c.jpg\" width=\"250\" data-file-id=\"4523801\" \/><\/a><\/strong><\/span><strong>I like this picture of Birgit. I like it because I feel it shows how I perceive her: talking with a combination of pedagogy, strenght and conviction,\u00a0attentively to the other&#8217;s\u00a0understanding and reaction.<\/strong><\/p>\n<p>Since 1989 she directs the\u00a0arts management agency\u00a0<a href=\"http:\/\/www.albakultur.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">alba Kultur<\/a>, settled in Cologne, Germany, with which she has developed hundreds of projects, building bridges between cultures. She is also advisor of many international organizations focused on culture and\u00a0diversity and an inspiration for me and probably for many others.<\/p>\n<p><strong>MM &#8211; In these 30 years, alba Kultur has took traditional music to high culture frames, has participated in strategic projects with many international organizations, has developed a network of partners in your region that allows to organice long tours of bands from many places and backgrounds, most of them far away from the mainstream styles&#8230; just to name a few of the dreams achieved. What is the next challenge?\u00a0<\/strong><\/p>\n<p><strong>Birgit Ellinghaus\u00a0&#8211;\u00a0<\/strong>For all projects I followed the understanding, that there is a dual nature of culture: musical works, concerts and artistic programms standing for cultural identities and are expressions of traditions and life plans, which are not possible to be mesured in terms of money or market values. Nevertheless there are elements in our field of work, which touch the economical aspects, e.g. tickets, CDs or digital music is sold and artists earn their life with music and need reasonable fees. But my priorities of work were always to support and promote strongly of the non economical aspects and expressions in the music field.<\/p>\n<\/div>\n<ul>\n<li>The advanced globalization and the actual priority of European culture policy for creative industries with the economic streamlining of the music sector has effects in all european countries. For my personal work see a challenge to work on the opening of the uge public financed music sector for more diversity of local-global musics expressing identity on all levels: commissioning of new works, programming of contemporary and trad music from all arround the world, strengthening of intangible cultural heritage, support of democratic organisation and participartion of migrant musicians in the cultural-political cultural dialogue in Germany and Europe.<\/li>\n<li>Another challenge is the cultural exchange through music with artists from developping countries in Africa, Asia and Latin America: how could we give access to Europe, if the boarders are more and more closed (all questions of artist mobility and visa). How could we organize carbon neutral tours and concerts not only within Europe, but as well with artists from other continents?<\/li>\n<li>And another challenge is about the role of the artist\/musician as a critical soul of society in times of racism, anti semitism and islamophobia.\u00a0How to protect the freedom of artistic expression and how to use the knowledge and potential of artists for reconciliation and peace building?<\/li>\n<\/ul>\n<div><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/8466b271-b0b8-48e8-a7c7-47ab8639e59b.jpg\" width=\"673\" height=\"120\" data-file-id=\"4560209\" \/><\/div>\n<div><\/div>\n<div>\n<p><strong>MM &#8211; I have the idea that you were a pioneer when you started with alba Kultur, so you might have had to face a big lack of knowledge about the music you work with, in the people who made decisions of programming. In my experience, Germany is now much open, both the public and the culture workers, to this contents than, for instance, in my country, Spain, where we have little knowledge and also many prejudices about what is world music. Could you give any advice on how to make the decision makers interested in this?\u00a0 <\/strong><\/p>\n<p><strong>BE &#8211;\u00a0<\/strong>I don&#8217;t want to give any advise, because each country, each activists and professional and artists has to developpe his\/her own suitable views and strategies. We are all specialists and knowledge keepers of our own culture!<\/p>\n<p>What I could, is to share my experience: when I started to work many years ago, it was very helpful to know about other models of work, other&#8217;s cultural expressions, to learn from others and to consider myself as a permanent student. In my personal work, I found a lot of inspiration, e.g. from the music scene in France and from the Oriental philosophies, but as well through my travels and the rich exchange with collegues and artists all around the world.<\/p>\n<p>And over the years I understand, that cultural change never goes straight ahead. It&#8217;s a ongoing process. Sometimes I felt hopeless and thought the things wouldn&#8217;t turn ever for the better and\/ or I had to face a lot of ignorance or resistance from stakeholder in venues and festivals, funding bodies, by politicians, media and artists. And than suddenly I saw new doors opening\u2026 I always tried to keep my curiosity and my flexibility within my agenda and my convictions. Change and development are questions of generations and need patience. These questions go much further as the individual contribution and capacity and life.<\/p>\n<\/div>\n<div><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/fc78eea6-5c63-4e6e-b754-a8a2a5cb817b.png\" width=\"250\" height=\"502\" align=\"left\" data-file-id=\"4560229\" \/>MM &#8211; I know that you work with the same strength and passion than when we met, around 11 or 12 years ago. And I think you feel that your kind of vision and what alba Kultur provides to the society is still as essential as it was at that moment and, probably, as it was when alba Kultur started. I think that 30 years ago, the world music was quite unknown for the public and for the cultural agents. Some years after, it became a boom about it. And in the last times it seems we are lossing spots for the visibility in the media and that some relevant agents, like big festivals, have been abandoning this kind of music and moving to more commercial programs. I have some questions about this:<br \/>\nAre your objectives now the same as they were when you started? I believe that your objectives are totally related to the service that you consider the society needs.<\/strong><br \/>\n<strong>BE &#8211;<\/strong>\u00a0Yes !<\/div>\n<p><strong>MM &#8211; Is the situation now, better or worse than when you started?<\/strong><br \/>\n<strong>BE &#8211;\u00a0<\/strong>It&#8217;s different.\u00a0E.g. just reminding about communication and means of media production: I started before there was the FAX technology existing. Communication in general and specially with artists from other continents was very slow and often related to personal traveling &#8211; by myself or by friends, who served as couriers to spred the news and brought material about an artist or a festival, etc. The recording of music was very complicated, because the digital CDs and video technology just started. Communication and travel was very expensive and a privilege for only few people too.Now we have access to all and everything world wide (or nearly). Today with internet, messengers and global mobility we receive so much and so speed information, that we are lost to make the use of it. And sometimes we forget, that still there are parts and cultures of the world which are not connected to this digitalized and globalized streams, because of censorship and missing respect to human rights, because of technology, economy or education gaps or nature disasters.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div><strong>MM &#8211; How much do you think that the political situation affects our community of the world music?<br \/>\n<\/strong><\/div>\n<div><strong>BE &#8211;\u00a0<\/strong>The world music community globally is facing the general conditions of life today. But for me the question is rather: does the world music community stands maybe (at least partly) for ethics and elements of identity, who might give some interesting answers for the future ? E.g. see some texts by\u00a0<a href=\"https:\/\/www.irma.asso.fr\/Jean-Michel-Lucas-Doc-Kasimir\" target=\"_blank\" rel=\"noopener noreferrer\">Doc Kasimir Bisou<\/a>\u00a0(Jean-Michel Lucas).If the answer to the previous question is that it affects us strongly, what can we, the people like us, working on this from different roles, do to, somehow, protect us?\u00a0We have not to protect us as community.\u00a0I believe this community should stand actively for human rights, for the role of culture in the Sustainable Development Goals, for cultural diversity world wide, for freedom of expression, for the rights of indiginous people and other minorities, for the protection of identity, etc. This could guide us in the cultural exchange and a real dialogue eye level through music.<\/div>\n<p>&nbsp;<\/p>\n<div><strong>MM &#8211; You have had to deal with complications about visas and probably also with misunderstandings and even &#8220;not understandings&#8221; on purpose. Do you have any advice for our colleagues to deal with these not so funny cultural shocks?\u00a0<\/strong><\/div>\n<div><\/div>\n<div><strong>BE &#8211;\u00a0<\/strong>The questions of visa I do not see in the context of cultural misunderstandings. Visa are part of international politics and an intended diplomatic tool to\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/List_of_nationalities_forbidden_at_border\" target=\"_blank\" rel=\"noopener noreferrer\">keep certain people out of a territory<\/a>,\u00a0e.g. certain nationalities from the US and other countries.\u00a0The formal and soft restrictions and obstacles are intended.In my eyes, the best way to avoid cultural shocks on a personal level, is to learn more about the culture of the other on as many ways as possible (reading, internet, personal encounters, learning the language and the music etc.), to expand the respectfull understanding through cultural exchange from early childhood.<\/div>\n<p>&nbsp;<\/p>\n<div><strong>MM &#8211; What are the plans for 2020? The ones that you can share with us, of course.\u00a0<\/strong><strong>BE &#8211;<\/strong>\u00a0Hopefully we could realized the actual projects sucessfully:<\/div>\n<ul>\n<li>20. Jubilee Saison of Klangkosmos NRW (January &#8211; June 2020).\u00a0Website,\u00a0<a href=\"http:\/\/www.klangkosmos-nrw.de\/K%C3%BCnstler.html\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.\u00a0PDF download,\u00a0<a href=\"http:\/\/www.klangkosmos-nrw.de\/download\/pdf\/klangkosmos\/web_klangkosmos_progr_20-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/li>\n<li>Silk Road Easter Festival \u2013 A Musical Journey from Venice to China at Elbphilharmonie (April 2020). Website,\u00a0<a href=\"https:\/\/www.elbphilharmonie.de\/en\/festivals\/silk-road\/551\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/li>\n<li>Music Summit &#8220;Migrants Music Manifesto&#8221; with residency, laboratory, concerts and international conference in September 2020 in Cologne. Website,\u00a0<a href=\"http:\/\/www.albakultur.de\/zeigeMMM.html\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.\u00a0(Programm is coming soon).<\/li>\n<\/ul>\n<div><strong>Credits:<\/strong><\/div>\n<ul>\n<li>Portrait of Birgit with micro, by\u00a0Johan Morin from\u00a0<a href=\"http:\/\/www.albakultur.de\/birgitellinghaus.html\" target=\"_blank\" rel=\"noopener noreferrer\">alba Kultur website<\/a><\/li>\n<li>Portrait of Birgit talking, by BPH\u00a0from\u00a0<a href=\"http:\/\/www.albakultur.de\/birgitellinghaus.html\" target=\"_blank\" rel=\"noopener noreferrer\">alba Kultur website<\/a><\/li>\n<li>Banner of\u00a0Weltmusik im Mozartsaal 2019-2020 from\u00a0<a href=\"http:\/\/www.albakultur.de\/zeigeweltmusik.html\" target=\"_blank\" rel=\"noopener noreferrer\">alba Kultur website<\/a><\/li>\n<li>Cover of the program of Klangkosmos 20 edition<\/li>\n<\/ul>\n<hr \/>\n<h2><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>OUR SPANISH ACTS RECOMMENDED BY AECID<\/strong><\/span><\/h2>\n<p><strong>Recently we have received the first request to book\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/entavia\/\" target=\"_blank\" rel=\"noopener noreferrer\">Entav\u00eda<\/a>\u00a0through the catalogue by AECID of the recommended artists for the Spanish embassies all over the world<\/strong>. We have two artists in that catalogue. The Spanish embassies have to chose artists from that catalogue when they want to book or support Spanish artists for any event.<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 264px;\">\n<tbody>\n<tr style=\"height: 264px;\">\n<td style=\"width: 50%; height: 264px;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/4417b93f-a21a-4655-bc6e-84440eeaf78e.jpg\" width=\"300\" height=\"200\" data-file-id=\"4560493\" \/><\/td>\n<td style=\"width: 50%; height: 264px;\"><a href=\"http:\/\/www.mapamundimusica.com\/viguela\/\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/a574abbd-5afc-4d39-b943-f262666fb58d.jpg\" width=\"300\" height=\"200\" data-file-id=\"4560497\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div><\/div>\n<div>The AECID Music Catalog is the main tool for promotion, dissemination and cultural programming outside Spain, of the Ministry of Foreign Affairs, European Union and Cooperation.\u00a0The Catalog is prepared by a committee of experts and includes a selection of proposals of quality from all musical genres.<\/div>\n<div>\n<hr \/>\n<\/div>\n<div>\n<h2><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>OUR LATEST ACHIEVEMENT<\/strong><\/span><\/h2>\n<p><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/mcusercontent.com\/993c677d53044839b1b39b2dc\/images\/c8137f89-deae-4415-8048-4dc0374ec6a3.jpg\" width=\"300\" align=\"left\" data-file-id=\"4560237\" \/><strong>Silk Road series of concerts in Museum of Orient, Lisbon.\u00a0<\/strong>The true is that this was born as a attempt to extend alba Kultur&#8217;s program at the Iberian peninsule. It was not possible to do it like that because of the format (intensive program in some days vs. extended in some months)\u00a0but that put the seed for another series with similar topic, to be hold in Lisbon with one concert in April, another in May and another in June.<\/p>\n<p>This nice man of the picture is Sahib Pashazade and he is an amazing soloist of tar from Azerbaijan. I had the joy of attending his concert with Kamram Karimov at the contest Sharq Taronalari in 2017, where they won the Grand Prix. They will play in this series at the beginning of April. It is such a joy to collaborate with these outstanding artists! Further details will follow in the next issue of this newsletter.<\/p>\n<\/div>\n<div>\n<hr \/>\n<\/div>\n<div><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>This newsletter is open to sponsorship. Feel free to ask for details.<\/strong><\/span><\/div>\n<div>\n<hr \/>\n<\/div>\n<div><\/div>\n<div>\n<h2><span style=\"color: #daa520; font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>FIND ME AT&#8230;<\/strong><\/span><\/h2>\n<div>Some interesting dates for the community (and where you can find me if you happened to be there, just let me know):<\/div>\n<ul>\n<li><strong><a href=\"https:\/\/www.facebook.com\/iberianfestivalawards\/\" target=\"_blank\" rel=\"noopener noreferrer\">Iberian Festival Awards<\/a>.\u00a0<\/strong>At this event I will go accompanying Juan Antonio V\u00e1zquez, who is jury.\u00a014th March. Lisbon.<\/li>\n<li>Mid of April. Hamburg.\u00a0<strong><a href=\"https:\/\/www.elbphilharmonie.de\/en\/festivals\/silk-road\/551\" target=\"_blank\" rel=\"noopener noreferrer\">Silk Road Easter Festival<\/a><\/strong><\/li>\n<li>From 3-6 June, in Poland with Gulaza in Wroclaw and with Monsieur Doumani in Katowice.<\/li>\n<\/ul>\n<hr \/>\n<p style=\"text-align: center;\"><a class=\"mcnButton \" title=\"Do you like our newsletter? Tell us! Resend it to your friends! To sign up, click HERE.\" href=\"http:\/\/www.mapamundimusica.com\/en\/contacto\/\" target=\"_blank\" rel=\"noopener noreferrer\">Do you like our newsletter? Tell us! Resend it to your friends! To sign up, click HERE.<\/a><\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<hr \/>\n<\/div>\n<div style=\"text-align: center;\"><span style=\"font-family: open sans, helvetica neue, helvetica, arial, sans-serif;\"><strong>This newsletter is open to sponsorship. Feel free to ask for details.<\/strong><\/span><\/div>\n<div>\n<hr \/>\n<\/div>\n<p><strong>WHO WE ARE AND SISTER PROJECTS<\/strong><strong>\u00a0<\/strong><\/p>\n<p>Mapamundi M\u00fasica is an agency of management and booking.\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Learn more here<\/a>. Check our proposals at\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">our website<\/a>.<\/p>\n<p>We also offer you our\u00a0<a href=\"http:\/\/www.mundofonias.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mundofon\u00edas<\/a>\u00a0radio show, probably the leader about world music in Spanish language (on 46 stations in 17 countries). We produce\u00a0the\u00a0<a href=\"http:\/\/www.transglobalwmc.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Transglobal World Music Chart<\/a>\u00a0with our partner \u00c1ngel Romero from WorldMusicCentral.com. And we lead also the\u00a0<a href=\"http:\/\/www.asociaciondifusionestilos.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Asociaci\u00f3n para la Difusi\u00f3n de los Estilos<\/a>.<\/p>\n<p>Feel free to request info if you wish. For further information about us,\u00a0<strong>get in touch by email, telephone (+34 676 30 28 82),\u00a0<a href=\"http:\/\/www.mapamundimusica.com\/en\/contacto\/\" target=\"_blank\" rel=\"noopener noreferrer\">our website<\/a>\u00a0or at\u00a0<a href=\"https:\/\/www.facebook.com\/mapamundimusica\/\" target=\"_blank\" rel=\"noopener noreferrer\">our Facebook<\/a>.\u00a0<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Mini-interview with Georgia D\u00f6tzer from Rialto WM Festival, Birgit Ellinghaus, open calls and + &nbsp; What to do now better than listening great music while reading this magazine, made by us and for us, the community of world \/ folk \/ traditional music all over the world?\u00a0I\u00a0am Araceli\u00a0Tzigane. Accompany your reading with our playlist! You [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[91,90,47,98,97,89,92,88,46,93,96,99,95,100,48,94],"class_list":["post-1604","post","type-post","status-publish","format-standard","hentry","category-newsletter","tag-alba-kultur","tag-birgit-ellinghaus","tag-booking-of-artists","tag-entavia","tag-festival-in-limassol","tag-georgia-dotzer","tag-global-fest","tag-mundial-montreal","tag-resources-for-artists","tag-rialto-world-music-festival","tag-transglobal-world-music-chart","tag-viguela","tag-womex","tag-world-music","tag-world-music-festival","tag-world-music-festival-cyprus"],"_links":{"self":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts\/1604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/comments?post=1604"}],"version-history":[{"count":23,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts\/1604\/revisions"}],"predecessor-version":[{"id":1627,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/posts\/1604\/revisions\/1627"}],"wp:attachment":[{"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/media?parent=1604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/categories?post=1604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mapamundimusica.com\/en\/wp-json\/wp\/v2\/tags?post=1604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}